Passehl email@example.com P.O. Box 717, Essex, CT 06426 USA phone 860-767-6567
Selected one-person exhibitions
2006 Wandering Through
Walls, Hamden Hall Country Day
School, Hamden, CT
Housatonic Museum of Art, Bridgeport, CT
University Galleries, Central Connecticut State University, New Britain, CT
1996 Galleri Sævars Karls,
Corridor, Reykjavik, Iceland
Selected group and two-person
Forthcoming October 2013 Art & Textiles Fabric as Material and Concept in Modern Art from Klimt to the Present
, Wolfsburg Museum, Wolfsburg, Germany
, Tegnerforbundet, Oslo, Norway
Jewel Thief, (curated by Jessica Stockholder and Ian Berry)
Francis Young Tang Teaching Museum
and Art Gallery, Saratoga Springs, NY
Paper, Stalke Galleri, Kirke Saaby, Denmark
InVisible, (Uta Barth, Karin Sander, others) Massachusetts
Museum of Contemporary Art (Mass MoCA), North Adams, MA
One, Stalke Up North, Copenhagen, Denmark
Apparently Invisible, Selections, Spring 2009, The Drawing Center, NY
More, (Anastasi, Andre, Bradshaw, Barry, Highstein, Nonas, Ryman,
Wagner, others) Thomas Rehbein, Cologne, Ger.
Winter Salon, Bjorn Ressle, New York, NY
More, Esberg Museum, Esberg,
Connecticut Contemporary, Wadsworth Atheneum, Hartford, CT
X 2, Selections From The LeWitt Collection, Madison Museum of Contemporary Art, Madison, WI, Weatherspoon Museum, Austin Museum of Art, Cincinnati Art Museum
and Miami Art Museum
Drawn, Tang Museum, Saratoga
Springs, New York
Femme-Brut(e), (Graves, Kruger, Neel, Pindell, Saar,
others) Lyman Allyn Art Museum, New London, CT
Acquisitions, Works On Paper, New
Britain Museum of American Art, New Britain, CT
Duchamp, El Hanani, Paine, others) The Rosenwald-Wolf Gallery, University of
the Arts, Philadelphia
Iron Works, Anne Reid Art
Gallery, Princeton Univerisity, Princeton, NJ, and Rosenwald-Wolf Gallery,
from the LeWitt Collection,
curated by Sol LeWitt, The New Britain Museum of American Art, CT
Collections, Collection Lambert, Avignon, France
Corridor, and Reyjavik Art Museum,
The Curve of Her
Spine, Montserrat College of Art,
Women Draw, Gallery Onetwentyeight, New York, NY
Raw Space, Real Art Ways, Hartford, CT
Open Mind: The LeWitt Collection, Wadsworth Atheneum,, CT
Memorial Art Museum at Oberlin College,
Antonakos and Naomi Specter
Bradshaw and William Anastasi, New
Springs Fine Art Center Museum
and Walter Hekster, Amsterdam, The
Sarah-Ann and Werner H. Kramarsky Collection, New York, NY
LeWitt Collection, Chester, CT
New Britain Museum of American Art, New Britain, CT
and William Peelle, West Hartford,
Collection, Cologne, Germany
Francis Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY
Collection, Copenhagen, Denmark
Berry, Ian and Jack Shear, eds. Twice Drawn: Modern and Contemporary Drawings In Context. Tang Museum and DelMonico-Prestel, New York, 2011.
Imdahl, Georg. “’One More’
Bei Thomas Rehbein.”Artnet Magazin
Simpson, Joel. “Björn Ressle, Winter Salon.” M
Rosoff, Patricia. Art New England. June/July 2006.
Glueck, Grace. “Art Review, New Britain Museum.” The
New York Times July 25, 2003.
Zella Robbin, ed., and
William Anastasi.. Grain. Housatonic Museum of Art, 2003.
Mézil, Éric, editor. Artists’ Collections.
Collection Lambert 2001:p. 176.
Fridjonsoon, Helgi. Gangurinn, The Corridor. Reykjavik Art Museum - Harbour House. 2000.
O’Brien, Barbara. The Curve of Her Spine. Montserrat
College of Art, 1997
Clark, Elisabeth. “Imaginative exhibit at
Montserrat.” Salem Evening News Feb 13, 1997.
Berger, Laurel. “In Their Sights.” ARTnews. March, 1997: p. 96.
Porláksson, Eiríkur. “Perception and Reference Point,” Morgunbla∂i∂ May 11,
Kahn, Robin, ed. Time Capsule/A Concise Encyclopedia By Women Artists. Creative Time in cooperation with SOS Int’l, 1995: p.
Schwendenwien, Jude. “The Year in Art 1994.” The Hartford
Courant,January 1, 1995.
Raynor, Vivian. “A Storefront Exhibition Meant to
Nurture the Nontraditional.” The New York Times April 10, 1994.
Janet Passehl's poetry has appeared in Court Green; Arsenic Lobster; Caliban Online issues 7 and 11.
"Spacetime and Gravitas," Kazuko Miyamoto. Ed. Christian Siekmeier. EXILE, Berlin, 2013.
"The conceptual artist was a mystic," Sol LeWitt: 100 Views. Eds. Susan Cross and Denise Markonish. Mass MoCA, North Adams and Yale University Press, New Haven, 2009.