Janet Passehl email@example.com P.O. Box 717, Essex, CT 06426 USA phone 860-767-6567Selected one-person exhibitions
2006 Wandering Through Walls, Hamden Hall Country Day School, Hamden, CT
2003 Grain, Housatonic Museum of Art, Bridgeport, CT
2001 Cloth, University Galleries, Central Connecticut State University, New Britain, CT
1996 Galleri Sævars Karls, Reykjavik, Iceland
1993 Gangurinn/The Corridor, Reykjavik, Iceland
Selected group and two-person exhibitions
Forthcoming October 2013 Art & Textiles Fabric as Material and Concept in Modern Art from Klimt to the Present, Wolfsburg Museum, Wolfsburg, Germany
Extended Drawing, Tegnerforbundet, Oslo, Norway
The Jewel Thief, (curated by Jessica Stockholder and Ian Berry) Francis Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY
On Paper, Stalke Galleri, Kirke Saaby, Denmark
One, Stalke Up North, Copenhagen, Denmark
Apparently Invisible, Selections, Spring 2009, The Drawing Center, NY
One More, (Anastasi, Andre, Bradshaw, Barry, Highstein, Nonas, Ryman, Wagner, others) Thomas Rehbein, Cologne, Ger.
Winter Salon, Bjorn Ressle, New York, NY
One More, Esberg Museum, Esberg, Denmark
Connecticut Contemporary, Wadsworth Atheneum, Hartford, CT
LeWitt X 2, Selections From The LeWitt Collection, Madison Museum of Contemporary Art, Madison, WI, Weatherspoon Museum, Austin Museum of Art, Cincinnati Art Museum and Miami Art Museum
Twice Drawn, Tang Museum, Saratoga Springs, New York
Femme-Brut(e), (Graves, Kruger, Neel, Pindell, Saar, others) Lyman Allyn Art Museum, New London, CT
New Acquisitions, Works On Paper, New Britain Museum of American Art, New Britain, CT
Trace, (Beuys, Duchamp, El Hanani, Paine, others) The Rosenwald-Wolf Gallery, University of the Arts, Philadelphia
Iron Works, Anne Reid Art Gallery, Princeton Univerisity, Princeton, NJ, and Rosenwald-Wolf Gallery, Philadelphia
Selections from the LeWitt Collection, curated by Sol LeWitt, The New Britain Museum of American Art, CT
Artists’ Collections, Collection Lambert, Avignon, France
2000, The Corridor, and Reyjavik Art Museum, Reykjavik, Iceland
The Curve of Her Spine, Montserrat College of Art, Beverly, MA
Women Draw, Gallery Onetwentyeight, New York, NY
Raw Space, Real Art Ways, Hartford, CT
Open Mind: The LeWitt Collection, Wadsworth Atheneum,, CTCollections
Allen Memorial Art Museum at Oberlin College, Oberlin, OH
Stephen Antonakos and Naomi Specter
Dove Bradshaw and William Anastasi, New York, NY
Colorado Springs Fine Art Center Museum
Alice and Walter Hekster, Amsterdam, The Netherlands
The Sarah-Ann and Werner H. Kramarsky Collection, New York, NY
The LeWitt Collection, Chester, CT
The New Britain Museum of American Art, New Britain, CT
Agnes and William Peelle, West Hartford, CT
Private Collection, Cologne, Germany
The Francis Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY
Stalke Collection, Copenhagen, DenmarkSelected bibliography
Berry, Ian and Jack Shear, eds. Twice Drawn: Modern and Contemporary Drawings In Context. Tang Museum and DelMonico-Prestel, New York, 2011.
Imdahl, Georg. “’One More’ Bei Thomas Rehbein.”Artnet Magazin 01-23-09.
Simpson, Joel. “Björn Ressle, Winter Salon.” M Magazine,January 2009.
Rosoff, Patricia. Art New England. June/July 2006.
Glueck, Grace. “Art Review, New Britain Museum.” The New York Times July 25, 2003.
Zella Robbin, ed., and William Anastasi.. Grain. Housatonic Museum of Art, 2003.
Mézil, Éric, editor. Artists’ Collections. Collection Lambert 2001:p. 176.
Fridjonsoon, Helgi. Gangurinn, The Corridor. Reykjavik Art Museum - Harbour House. 2000.
O’Brien, Barbara. The Curve of Her Spine. Montserrat College of Art, 1997
Clark, Elisabeth. “Imaginative exhibit at Montserrat.” Salem Evening News Feb 13, 1997.
Berger, Laurel. “In Their Sights.” ARTnews. March, 1997: p. 96.
Porláksson, Eiríkur. “Perception and Reference Point,” Morgunbla∂i∂ May 11, 1996.
Kahn, Robin, ed. Time Capsule/A Concise Encyclopedia By Women Artists. Creative Time in cooperation with SOS Int’l, 1995: p. 167.
Schwendenwien, Jude. “The Year in Art 1994.” The Hartford Courant,January 1, 1995.
Raynor, Vivian. “A Storefront Exhibition Meant to Nurture the Nontraditional.” The New York Times April 10, 1994.
Janet Passehl's poetry has appeared in Court Green; Arsenic Lobster; Caliban Online issues 7 and 11.
"Spacetime and Gravitas," Kazuko Miyamoto. Ed. Christian Siekmeier. EXILE, Berlin, 2013.
"The conceptual artist was a mystic," Sol LeWitt: 100 Views. Eds. Susan Cross and Denise Markonish. Mass MoCA, North Adams and Yale University Press, New Haven, 2009.