- Mass MoCA, Invisible,
- Thomas Rehbein, Schwarz 2014
- ODETTA 2017 Appearances
- Krakow Witkin Gallery 2024, Here is Why
- Zürcher Gallery Women of Spirit 2021
- ECSU Art Gallery, Call Sol: the Enduring Legacy of Sol LeWitt, 2023
- Thomas Rehbein Gallery 2019
- Fabrik Melbourne 2015
- Kunstmuseum Wolfsburg 2013
- The Drawing Center, NY 2009
- Tibaldi Gallery, Rome 2022
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Clockwise from upper left: Small Rain, Rain, Grass
2017
cut cotton cloth, painted wood
Largest 19 x 72 x 60 inches
2017
cut cotton cloth, painted wood
Largest 19 x 72 x 60 inches
Cloth was sliced using both sharp and dull blades to create a variety of edges, disrupting the flat uniform surface of the cloth. The sliced cloth was laid on custom-sized blocks painted white to enhance/illuminate the cuts.
Rain
2017
Cut cotton cloth, paint on wood
19 x 72 x 60 inches
2017
Cut cotton cloth, paint on wood
19 x 72 x 60 inches
Cloth was sliced using both sharp and dull blades to create a variety of edges, disrupting the flat uniform surface of the cloth. The sliced cloth was laid on custom-sized blocks painted white to enhance/illuminate the cuts.
Rain, detail
2017
Cut cotton cloth, paint on wood
19 x 72 x 60
2017
Cut cotton cloth, paint on wood
19 x 72 x 60
Cloth was sliced using both sharp and dull blades to create a variety of edges, disrupting the flat uniform surface of the cloth. The sliced cloth was laid on custom-sized blocks painted white to enhance/illuminate the cuts.
Grass
2017
Cut cotton cloth, painted wood
19 x 72 x 60
2017
Cut cotton cloth, painted wood
19 x 72 x 60
Cloth was sliced using both sharp and dull blades to create a variety of edges, disrupting the flat uniform surface of the cloth. The sliced cloth was laid on custom-sized blocks painted white to enhance/illuminate the cuts with shadows. Grass is dropped onto the painted wood block randomly, so it is different each time it is installed.
Grass, alternate view, detail
2017
Cut cotton cloth, painted wood
19 x 72 x 60
2017
Cut cotton cloth, painted wood
19 x 72 x 60
Cloth was sliced using both sharp and dull blades to create a variety of edges, disrupting the flat uniform surface of the cloth. The sliced cloth was laid on custom-sized blocks painted white to enhance/illuminate the cuts with shadows. Grass is dropped onto the painted wood block randomly, so it is different each time it is installed.
ODETTA 2017 Appearances
All images copyright Janet Passehl An icompendium Site